Posts Tagged ‘ sketchbooks ’

I also snagged some multicolored pens while I was gone, too.

I think I’m starting to realize while I drop off the face of the earth during the school year: I’m so damn busy. This might also be why I’ve yet to find anybody write a daily blog from the seat of the studio, as they haven’t the time and really can’t be arsed. And do I blame them? No. But I’d like to at least take a shot at it, even if I do end up getting off the wagon at inappropriate intervals; after all, I did do that week-long posting stint, so hurrah! Ergo, a list (since it’s all I have time/patience for):

It's a sketchbook, dumbass.

I like how the hot pink totally wasn't picked up by the scanner. FAILURE.

CHECK OUT THIS LIST

  • Embarked upon a landscape painting series! It’s… not as bad as the last one but could probably still use more work.
  • Sprained my wrist while embarking upon the landscape painting series. This is really pathetic. It’s also why I have time to write this today, as I took a day off to ice my wrist. Notice my excellent icing technique as I write and strain my tendons for you!
  • Fixed that nasty financial aid. Kerplow.
  • Started sketching daily. I already have a full page of overlapping doodles coming along quite well indeed. Will scan soon. Scanned. See above, below.
  • Am also competing in a public art project. Granted, it’s for class, but it’s good experience! Great experience, even.
  • Knitting, slowly but surely.
  • Have so much homework. But you knew this already.
  • And more! … I just can’t remember jack squat about it.

… yeah, I feel like I need to scan in that picture of the sketchbook right now to make up for the doldrums. In fact, I just did because otherwise, this would be a miserably boring sort of blog. So congratulations: you’ve just won four days of layered pen drawings in a Moleskine. Awesome! Now I’m going to ice my wrist and wonder why I thought that a pointless bullet list was a good idea vs. a simple image post. I’m not sure that all of that effort is going to turn out successful so much as at least 34%.

30 DAYS PROJECT, DAY NINE: “Thumbnails,” Canvas-in-Progress

DAY NINE: "Untitled"

"Untitled sketches." 8"x10". Graphite on inkjet print-out with tape and ballpoint pen (sketchbook).

Today’s post: a look into the world of how I develop concepts into my sketchbook! Maybe it’s because of the fact that I love collaging for texture or whatever, but I always end up succeeding in my sketchbook for conceptual work a fair lot better if I’m working on top of print-outs from the computer. DON’T ASK ME WHY; I JUST DO. In this case, I took pictures of my now-mostly finished canvas (all it needs is a sand!), organized the thumbnails in Photoshop, et voila! There’s an unfortunate shadow in my studio that created that diagonal coloring effect, but I find it to be a happy accident that I’m probably going to incorporate into whatever composition I choose first. I like most of them a fair amount, but I think the one in the lower left hand corner is what I’m going with first.

30 DAYS PROJECT, DAY THREE: “Fierce,” Portrait Sketch

DAY THREE: "Fierce"

"Fierce." 2" x 3". Ballpoint pen (sketchbook).

Sometimes, there’s not a lot to say. Contacts freak-out + being really slow to start + having ~plans~ this evening + hearing about the passing of a celebrity that I was so fond of in childhood = a tiny sketch for today’s offering.

State of the Union: Holy Shit, When Did It Become May?! Edition

All this and a picture of tits got me to where I am today.

All this and a picture of tits got me to where I am today.

Funny how those resolution things work; half of my posts in here are, “Oh gosh, how sorry am I that I haven’t written in here!” when, in reality, I’m only apologizing to myself. That being said, this is a case where I’m hardly ashamed of abandoning this blog for four months, for the dearth of posts actually represents a wealth of productivity elsewhere. I’m finally on the other end of sophomore review, finally capable of boasting the role of “member of the junior painting faculty” to show for it, and within the span of the month I’ve learned more about my artistic process than I have within the past three semesters combined. Even within the span of last break, I didn’t have much to boast by way of productivity/studio time, but now I feel as if I have a solid plan for Making Stuff Over the Summer. I want to experiment with media, do this and that, and I feel empowered to do so because I have a voice. I’m not really capable of painting for the sake of process in the sense that it doesn’t give me a proverbial carrot to lock myself downstairs and get high on paint fumes. There needs to be a theme behind it, and courtesy of an extremely helpful Drawing IV project, I think I have just that. I’ve certainly learned a lot this semester, and I suppose I’ll take now to look at a few entries back to see if those lofty goals I set for myself are in effect: Continue reading

When I grow up, this will be my sketchbook.

Alright, so I have a confession to make: I suck at keeping sketchbooks.

It’s something that I’m not particularly proud about, given my supposed seriousness about getting into this “art profession” or whatever, but it seems awkward and strained. What do I start drawing? Do I just start sketching still lives for shits and giggles? Do I need to spend afternoons on the canal people watching and filling my Moleskine? Does it need to be a large sketchbook? So many questions, not enough answers. To me, using a sketchbook — which is touted as a tool that should be utilized 24/7, if your professors are to be believed — is less the not-optional toothbrushing part of my schedule and more the exercise “if I’m lucky enough to have the time” type of activity. Much like exercise, I’d like to change this attitude.

When I do, I’d like to take on Dustin Harbin‘s style of sketchbookery to heart. I found this dude through Kate Beaton, and along with enjoying following his general line of thought in his blog and all, I have to say that his Flickr account is a delightful stroll through a shitload of awesome pictures. Along with his finished works, there’s his sketchbook set that I find to be impossible to miss (ergo, this fucking entry). What’s really helpful are the notes he includes with his scans, which talk about process, the pros and cons of the mediums of choice within, and other charming anecdotes. If that doesn’t interest you, then perhaps I should just bribe you with images. Make note, though: IT SHOULD.

My apologies to Mr. Harbin, by the by; if you would like me to host this on my own server/take this image down, PLEASE COMMENT OR WHATEVER. I just like your style dude and would like others to hop on that style cock. Thanks!

My apologies to Mr. Harbin, by the by; if you would like me to host this on my own server/take this image down, PLEASE COMMENT OR WHATEVER. I just like your style dude and would like others to hop on that style cock. Thanks!

See? He is all MIXING THEM INK COLORS and it is just cool stuff. Really, the images that I wanted to use are kinda-sorta cockblocked by Flickr, which means that I am assuming that the artist would like it that way, so you should just go and see why I suddenly want to go and buy 230498234098 colored ballpoint and gel pens so I can sketch like a nerd on the go and be 1/230498324098th as awesome as this person. After all, everybody needs inspirations to get them to do better and more productive things in their lives, right? Right.