Posts Tagged ‘ thirty days project ’

30 DAYS PROJECT, DAY NINE: “Thumbnails,” Canvas-in-Progress

DAY NINE: "Untitled"

"Untitled sketches." 8"x10". Graphite on inkjet print-out with tape and ballpoint pen (sketchbook).

Today’s post: a look into the world of how I develop concepts into my sketchbook! Maybe it’s because of the fact that I love collaging for texture or whatever, but I always end up succeeding in my sketchbook for conceptual work a fair lot better if I’m working on top of print-outs from the computer. DON’T ASK ME WHY; I JUST DO. In this case, I took pictures of my now-mostly finished canvas (all it needs is a sand!), organized the thumbnails in Photoshop, et voila! There’s an unfortunate shadow in my studio that created that diagonal coloring effect, but I find it to be a happy accident that I’m probably going to incorporate into whatever composition I choose first. I like most of them a fair amount, but I think the one in the lower left hand corner is what I’m going with first.

30 DAYS, DAY SEVEN: “Untitled,” Canvas-in-Progress

DAY SEVEN: "Untitled"

"Untitled." 30"x24". Repurposed pattern paper and gesso on linen.

I’m hoping that something more organic comes from this week, as I’m going with my instincts: larger projects split into smaller steps, versus this entire LET’S MAKE SOMETHING IN ONE DAY STOP. By vowing to do this already, I’ve made something I like — or rather, the foundation to something I’m going to really like. This is a reclaimed canvas from a former project that I made last semester that I Hated with a capital H; it’s going to be my first foray into one of my experiments with incorporating collage elements with oil painting. I’m super-stoked, as I’m already liking what I’m seeing just one day into the gessoing process. My plans: more pattern paper! More gesso, both of the white and clear varieties! Then, I’ll sand down and start with the actual painting — but first, a series of thumbnail sketches to figure out compositions and all that fun jazz. If anybody from Thirty Days is reading this: major shout out to the person who commented on my first origami piece, for you gave me the idea for this series! THANKS!

By the by, if you want to see another more head-on angle of this piece-in-progress, check out this page on Flickr.

30 DAYS PROJECT, DAY SIX: “Alterations!”

DAY SIX: Alterations!

"Alterations!" Dimensions variable. Denim.

Fine, Thirty Days Project: my weekends will officially be a grab bag of nonsense. In this case: an impromptu sewing project to give me a pair of jean shorts for $0. It seems wrong to say there was much process to do this beyond dreaming of making cut-offs in a certain way, having someone help me cut the legs in a rough generality, narrowing shit down, and doing a zig-zag stitch, so I won’t call it a process. Still, pow! Instant ~fashion~ — or something like that!

30 DAYS PROJECT, DAY FIVE: “Origami, 1 of Many”

DAY FIVE: Origami, Part 1 of Many

"Origami, Part 1 of Many." Dimensions variable. Origami paper.

Oof, five days in and I’ve already missed a day. Not gonna lie: this was probably going to happen eventually, so what’s important is that I just embrace that slips happen and that I should soldier on. And so today, after a flurry of errands and shopping for supplies, I started on one of my long-term projects for this month: my origami crane garland. I’m presently in a flurry of big writing stuff right now, so the projects over the next week or so are probably going to be small and/or revert to the cranes if I can’t do anything else. Sometimes, it’s just the act that counts — or is that just what the apologist says to make herself feel better?

30 DAYS PROJECT, DAY THREE: “Fierce,” Portrait Sketch

DAY THREE: "Fierce"

"Fierce." 2" x 3". Ballpoint pen (sketchbook).

Sometimes, there’s not a lot to say. Contacts freak-out + being really slow to start + having ~plans~ this evening + hearing about the passing of a celebrity that I was so fond of in childhood = a tiny sketch for today’s offering.

30 DAYS PROJECT, DAY TWO: “Dog Hill,” Animal Study in Surrealist Landscape.

DAY TWO: "Dog Hill"

"Dog Hill." 11.5" x 7". Watercolor on cold press paper, ballpoint pen.

Click “Continue Reading” to, well, continue! Dunno if today’s saga of process will be nearly as long given that I have a concrete idea as of the beginning of this post, but who knows?

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30 DAYS PROJECT, DAY ONE: “Invaders Must Die,” Self-Portrait

"Invaders Must Die." 8.5" x 11.5". Watercolor on cold press paper, graph paper, ballpoint pen, white charcoal.

"Invaders Must Die." 8.5" x 11.5". Watercolor on cold press paper, graph paper, ballpoint pen, white charcoal.

Picture up front, as per as per. Click on the lovely “Continue Reading” link if you want to hear about the process for Day 1!

Housecleaning and monthly inventory abound.

With the start of  The Thirty Days Project looming on the horizon, I’ve had a sudden need to hurry hurry around and clean things up! A new theme here, a correction of the tone in my tertiary pages there. Apparently, I was feeling inherently hostile with how I was going to be perceived with this blog last year when I started it. That’s unfair, both to the reader and to yours truly. To you, because it implies that you’re not adult enough to embrace the fact that I swear, may or may not take feminism “too seriously,” and fret about my artistic career too much. To me, because I apparently feel that being myself needs to be something that I apologize for, which is foolish! To be human is to be insecure, I suppose, but that doesn’t mean you can’t try to kick that need in the bud. Rewriting things is cathartic, if only because I want this to be a friendly place for group members to read. By the by, if you’ve come by after I made my introduction this evening: hello, Thirty Day-ers! Happy to see you here. I can’t wait to see what you do this June and hope that you’ll be open to offering critique on what I’m making, too!

Along with sprucing up the blog, I’m also getting my State of the Union post over and done with before the June bell tolls. Logic being: before you become a double-poster in your own blog, perhaps you should have a steady stream of single posts a day. After that, you can build and it’ll be a party! One day, I’ll become a blogger that is less “I hope to write more” and is more about the topic at hand, but for the moment, one of this blog’s projects is blogging, so there we are. Er, was that a bit too meta?

Since I’m treading onto a veritable Moebius strip of logic, allow me to offer a photograph that I took on the way down to Bloomington a few weekends ago for your trouble before you read the rest of the entry. Thank you, sports setting on my camera, for making on-the-road photography possible:

So the little camera can handle motion photography after all? Nice.

So the little camera can handle motion photography after all? Nice.

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On book shows and creative challenges!

A week ago, I went down to the Indiana University Art Museum to see a show curated by my Bookbinding professor. Out of the kindness of her heart, she decided to give those in the Book Arts courses at IUPUI the opportunity to have our work displayed throughout the month of May, and I was fortunate enough to have four of my books featured in the atrium of the Fine Arts Library at the Museum. Unfortunately, due to Museum rules, I couldn’t use my normal camera and was thus forced to smuggle in my cell phone and Tweet the images out to the public. Here are a few from my dubious little lens, although more images are available at my Twitpic account.

True story: part of this book is sewn!

I-17 is a fold book about my big, fat boner for Arizona. It's made from printer paper and a really awesome Tibetan rag paper being sewn together on your garden variety sewing machine. The dust box for it was made with the same beautiful Tibetan paper and handmade cotton paper. Good times!

THE COLORING RULES OF MRS. PEEDIN: A Piano Hinge Book

Piano hinge books are difficult enough to make, but when you decide that gluing together coloring book pages is a good idea, it gets double hard because of the lack of flexibility the paper has. I decided to make this book on a rather OCD elementary school art teacher who had very exacting rules RE: what one should and shouldn't do when coloring. Shit was crazy, but it stuck with me for life.

ANALOGY: An Accordion Book with a Clamshell Box

Analogy was a very frail book; its accordion page spine was made from this really wispy paper that was originally used for wedding invitations. As such, it was given a small clamshell box to protect it from handling. Go figure: the damn thing fits so perfectly, it's pseudo-stuck in the box. Analogy, by the by, was a four-part book about dealing with depression through the analogy of a flower going through the seasons. Yeah, it's as pretentious as it sounds, but the cover was pretty.

In other news, I’m going to be going from these weird once-a-month postings to once-a-day! Woohoo! Why, you might ask? I’ve decided to sign up for The Thirty Days Project in order to gear from a month’s “vacation” out of the studio into a daily studio practice. Although my official “project” will be to work on small pieces that can eventually contribute to a larger whole (body of work/oil paintings, perhaps?), its unofficial tag-along will be to write about all of its bits and bobs here! I’m excited! (And scared.)